SHAPE  |    |(DM)Depth Meaning | SHAPE  |    |(DM)Depth Meaning | SHAPE  |    |(DM)Depth Meaning   |
-------+----+------------------+--------+----+------------------+--------+----+--------------------+
[][][] | -10 Z.1 - State       | [][][] |   0 Z.1 - Psychologic | [][][] | -10 Z.1 - Organic       |
[](  ) |     Z.2 - Location    | []()[] |     Z.2 - Physiologic | (  )[] |     Z.2 - Mechanical    |
[](  ) |     Z.3 - Time        | []()[] |     Z.3 - Physical    | (  )[] |     Z.3 - Spiritual     |
-------+-----------------------+--------+-----------------------+--------+-------------------------+
[][]() |   0 Z.1 - Intrusive   | [][][] |  16 Z.1 - LOOP        | ()[][] |   0 Z.1 - Multiple      |
[][][] |     Z.2 - Stable      | []()[] |  16 Z.2 - LOOP        | [][][] |     Z.2 - Unique        |
()[][] |     Z.3 - Extrusive   | []()[] |  16 Z.3 - LOOP        | [][]() |     Z.3 - None          |
-------+-----------------------+--------+-----------------------+--------+-------------------------+
[](  ) | -10 Z.1 - Temper      | []()[] |   0 Z.1 - Bright      | (  )[] | -10 Z.1 - To Modify     |
[](  ) |     Z.2 - Color       | []()[] |     Z.2 - Neutral     | (  )[] |     Z.2 - To Observe    |
[][][] |     Z.3 - Weight      | [][][] |     Z.3 - Dark        | [][][] |     Z.3 - To exist      |

          LESSON1: CHARACTERS  I Pronunciation 

--        KI | XI | SI       | The 9 trauma letters, of which the Pronunciation has been depicted in
          ---+----+---       | roman letters. On theX axis, the suffix sound going from a K, short a
-N        KA | XA | SA       | ttack to a S, long attack. On the Y axis, The pitch goes from high pi
          ---+----+---       | tch (I) to low pitch (E~O). Not shown in the graph, where the Zaxis e
-M        KE | XE | SE       | xpresses the sustain prefix going to no sustain in the first level of
                               Depth to a deepMmm sound, passing by a shorter N in the 2nd depth.

          LESSON2: CHARACTERS II Order

          22 | 11 | 22       | Before jumping directly in expressions, let us stop over the letter o
          ---+----+---       | rder. An expression willalmost always start with XI, introducing it's
          33 | 66 | 33       | form, wether something solid or abstract. Then, you build up a more d
          ---+----+---       | efine expression by going down on the S or K column, to finally compl
          44 | 55 | 44       | ete your statement with a "." or a XA character that brings you back 
                               to the XI where you can add another nature of your expression, in the 
                               case where something would be in something else.

----------------------------------------------------------------------------------------------------
NECTING GRID.                                                                                 - - 03
....................................................................................................

This section and the ones below are experimental mathematics, nothing below this point is definitive



 THE NECTING GRID:
 The Traumae necting can be defined as language optimization, or encry
 ption. The purpose is to find the value of each letter, and create a 
 visualization of the Traumae.

 On this grid you see each of the ports, and the layout of each letter
 If we push things further, we can distinctively see 3 sets of charact
 ers. One being the 9 ports letters, the second the 4 ports and the si
 ngle port characters.

 Using only the set of 9 ports characters we can't find the value of e
 ach letter, below is the subnecting letters and their ports.




The value of the single port characters ( being just a dot ) have the default value of -2. And the w
way to find the value of the nine ports characters is to go from the 4 ports characters to the 9 por
ts characters. This is probably very confusing right now, I apologize. It will make more sense as yo
u read further. Below is the 4 ports characters layout on top of the 9 ports characters, which are i
n fact, 9 times 4 ports, so 36 ports.




 THE SUBNECTING GRID:
 This grid shows the design of each sub letters characters in a 3x3 ma
 trix. The highlighted dots are multiplied, the dim dots are added to 
 the total. So for example, the top left character.
 
 Each port is worth, by default, -2. If you do the maths, you will get
 these results for the sub-letter ( left ) and traumae chars ( right )
 ┌╴╴╴╴╴╴╴╴╴╴╴╴╴╴╴╴┐  ┌╴╴╴╴╴╴╴╴╴╴╴╴╴╴╴╴╴┐ 
 ╵ -10 | 0  | -10 ╵  ╵ 100 | 100 | 100 ╵ !. Remember that -2 is only a
 ╵  0  | 16 |  0  ╵  ╵ 100 | 0   | 100 ╵    default value, and it's on
 ╵ -10 | 0  | -10 ╵  ╵ 100 | 100 | 100 ╵    ly purpose is to graph out
 └╴╴╴╴╴╴╴╴╴╴╴╴╴╴╴╴┘  └╴╴╴╴╴╴╴╴╴╴╴╴╴╴╴╴╴┘

 These are the Necting values, and will be referred to later.




----------------------------------------------------------------------------------------------------
HAND PROGRAMING.                                                                              - - 03
....................................................................................................

Even though Traumae is not used to define occurrences in the physical realm, I have put together a p
ractical way to type it using hand gestures. In the case you don't know the names of your fingers an
d bones, here is a little explanatory .

   Each finger is divided by 2 articulations and 3 segments (phalanges). Going from your palm to you
   r finger tips, there is "proximal", "intermediate" and "distal" phalanges. I will refer to the 5 
   fingers as follow: Thumb, Index, Middle, Ring, Pinky.

If you raise your right hand, palm facing you, group the index, middle and ring finger. Now move asi
de the pinky and thumb. You have 3 fingers and 9 phalanges looking at you. Viszalise the traumae gri 
d on these 9 phalanges where the distal phalange of the middle finger would be the XI character. In  
a similar fashion to morse, by opposing your thumb to a corresponding phalange it connects a charact
er.

The depth level is defined by opposing the thumb to the intermediate and proximal phalanges of the p
inky, before connecting to the letters, being the ring, middle and index fingers.
	

   Collection of ideas and perspectives. Texts in various languages and cultures.                  
   Please keep a mature scientific and open mind. If a text is badly credited, contact me.         
----------------------------------------------------------------------------------------------------

   http://xxiivv.com/xivres/mhh.txt                                                 25.4 KB : TXT 
   The Marriage of Heaven and Hell by William Blake ( 1790 - 1793 )                       ENGLISH

   http://xxiivv.com/xivres/thc.pdf                                                185.1 MB : PDF
   Theatrum Chemicum by Various Authors ( 1602 - 1660 )                                     LATIN

   http://xxiivv.com/xivres/voy.pdf                                                 53.6 MB : PDF
   Voynich by Unknown Artist ( 1450 - 1520 )                                              UNKNOWN

   http://xxiivv.com/xivres/mdc.pdf                                                 27.4 MB : PDF
   Le Mystere des Cathedrales by Fulcanelli ( 1926 )                                      ENGLISH

   http://xxiivv.com/xivres/sab.txt                                                 60.0 KB : TXT
   The Secret Book of Arthephius by Artephius ( 1300 )                                    ENGLISH

   http://xxiivv.com/xivres/cob.txt                                                 11.3 KB : TXT
   The Conference of the Birds by Farid ud-Din Attar ( ???? )                             ENGLISH